It is one hell of a dystopian society in what is now called Old Detroit. Crime is rampant, the cops are outnumbered and outgunned and there’s no end in sight. That is until OCP-Omni Consumer Products, steps in with their idea of building a cop that will be the future of law enforcement, Robocop. There’s just one little catch. They need a volunteer, and that’s where Alex Murphy, freshly transferred police officer from another precinct, comes into the picture, the poor schmuck. You see, you have to be dead to volunteer for the Robocop program. So, after our boy Alex is literally shot to pieces by bad boy Boddicker and his band of baddies he is all set to step up and be all that he can be for OCP. First order of business: track down the miserable varmints that killed him in the first place, Clarence Boddicker and his band of miscreants.
Nearly every scene in this film is wrought with violence. Even the quietest moments in the film have a tension to them that forewarn us that something nasty is about to happen. Even the nightclub scene is filled with shaking fists and in your face camera angles. There’s enough blood in this movie to fill 10 films. I loved this film when it first came out and I have never tired of it. It is one of the best films that is the representation of a dystopian society and should easily be considered a classic of the sci-fi genre. In fact, this film is so damn good it can almost make you forgive Paul Verhoeven for Showgirls. You will note that I said ‘almost.”
Posted on 11/13/2011, in Films Released in 1987, Movies, Science Fiction Films and tagged Alex Murphy, Dallas City Hall, Dick Jones, José Padilha, Kurtwood Smith, Michael Ironside, Paul, Paul Verhoeven, Peter Weller, Robocop. Bookmark the permalink. 10 Comments.