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Category Archives: Films Released in 2011

RED RIDING HOOD

RED RIDING HOOD-United States/Canada-2011

Amanda Seyfried as Valerie

Gary Oldman as Solomon

Lukas Haas as Father Auguste

Directed by Catherine Hardwicke

Written by David Johnson

My coverage of werewolf films continues with Red Riding Hood, the latest ‘effort’ from Twilight director Catherine Hardwicke. Now, I don’t want to start a war with Team Edward or Team Jacob, but I’ve never seen Twilight and I really don’t want to. The whole idea of vampires that sparkle and play softball just goes against my beliefs as a horror fan.

Then there’s Red Riding Hood. This film goes to show that having a weakness for werewolf films can sometimes be a bad thing. The whole thing feels like a bad music video from the 1980′s. I kept expecting Men Without Hats to come prancing across the screen to sing ‘Safety Dance”. Also, for a village that’s living on hard times at the edge of forest, most everyone there has beautifully coiffed and styled hair and clothes. My guess is that their stylist is the same one that did Pa Ingalls hair all those years ago on “Little House on the Prairie”.

The story line revolves around Valerie (Amanda Seyfried, Gone). Valerie loves Peter (Shiloh Fernandez, Deadgirl), but her family has already picked out Henry (Max Irons, Dorian Gray) as the man to marry her. There’s Gary Oldman as scenery chewing priest who’s come to hunt the beast and Lukas Haas as a scenery chewing priest who can’t stop kissing Gary Oldman’s ass. Oh, yeah, there’s a werewolf, too. Trust me; I just saved you from ninety minutes of torture with that synopsis. Although I am sure that I will hear some negative feedback for it.

It is my humble opinion that if Catherine Hardwicke makes another movie like this that we will be able to brand her as the Antichrist of horror. For a great werewolf film see The Howling, An American Werewolf in London, Ginger Snaps or Dog Soldiers. Red Riding Hood is the dump that the beast took in the forest.

TRIVIA

With the exception of Valerie (Amanda Seyfried), all the characters from Daggerhorn are either played by actors with brown eyes or wearing brown contact lenses. Most notable of the latter is Julie Christie, who plays Valerie’s Grandmother, who is famous for her blue eyes.
 
The character named Peter is from the Russian musical composition and children’s story “Peter and the Wolf” written by Sergei Prokofiev in 1936.
 
Shipped to theaters under the code name “Fangs of Affection”.
 
½
 
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SECONDS APART

SECONDS APART-United States-2011

Gary and Edmund Entin as Jonah and Seth

Orlando Jones as Detective Lampkin

Samantha Droke as Eve

Directed by Antonio Negret

Written by George Richards

I’ve known at least two sets of identical twins in my lifetime. One set were brothers, the other sisters. The brothers lived in my neighborhood, the sisters were two girls I knew in school. To be quite honest with you, even though I don’t creep out very easily, there was always something about them that I found somewhat…eerie. With the two sisters especially I always got the impression that one knew what the other was thinking and vice versa. As I got older I even began to suspect that one sister knew when the other was having an orgasm, but you could probably chalk that up to the perverted mind of a teenage boy.

Edmund and Gary Entin play identical twins with the power of telekinesis. These two bring a whole new meaning to the expression ‘creepy little bastards.’ To even wonder whether they use these powers for good is a complete waste of thought. They videotape their crimes and re-watch to see if they feel anything at the moment of their victims deaths. I wondered throughout the entire movie just what it was that they wanted to feel. Was it remorse? Was it pain? Personally for these two telekinetic terrors satisfaction for a job well done would be the acceptable emotion.

Orlando Jones is Detective Lampkin. Detective Lampkin is trying to get to the bottom of the deaths; all the while struggling with his own tragic past and attempting to figure out where the twins play a part in the whole thing. I mostly remember Jones from comedic roles such as Bedazzled and Evolution. It took me a while to warm up to his character here, but in the end I felt that it was a part that fit him well.

Seconds Apart is a good horror movie. There’s enough gore to satisfy the gore-hounds, enough suspense for the easily frightened and enough black humor for the rest of us. The biggest crime the film commits is that it doesn’t try for greatness. It’s too bad, they were so very close.

CHILLERAMA

CHILLERAMA-United States-2011

It’s the final night at the last drive-in in America and Cecil B. Kaufman has got it all figured out. This is going to be a night to remember as he features not one, not two, not three but four lost films. Grab your popcorn, hold on to your Pepsi’s. It’s showtime!

WADZILLA

Starring

Adam Rifkin as Miles Munson

Sarah Mutch as Louise

Owen Benjamin as Larry

Ray Wise as Dr. Weems

Written and Directed by Adam Rifkin

Adam Rifkin stars as Miles Munson, a man with a way less than regular sperm count. A normal man’s sperm can be counted in the millions; Miles’ sperm can be counted in the one. But after he begins taking an experimental drug prescribed to him by Dr. Weems, oh what a sperm it is! It grows to gargantuan proportions and seeks out the only ovum big enough for its massive load-the Statue of Liberty! Will Wadzilla prevail, or will the military, led by General Bukkake, arrive in time to save the day?

I swear to God I am not making this shit up, folks. I can assure you that you have not seen anything until you’ve seen the Statue of Liberty strip down to pasties and a g-string and rub her torch between her breasts. Wadzilla is every bit as ridiculous as it sounds and is a fun way to get things started.

TRIVIA

Adam Rifkin did all of his own stunts in the “Wadzilla” segment.

The background plates of New York City for the segment “Wadzilla” were taken at the Universal Studios back lot in California.

I WAS A TEENAGE WEREBEAR

Written and Directed by Tim Sullivan

Starring Sean Paul Lockhart as Ricky

Anton Troy as Talon

Gabrielle West as Peggy Lou

Lin Shaye as Nurse Maleva

Even a boy who thinks he’s straight/yet shaves his balls by night/may become a werebear when the hormones rage/and the latent urge takes flight-Nurse Maleva

Sean Paul Lockhart has been called ‘the Traci Lords of gay porn’. It’s right there on the Internet Movie Database, look it up. In “I Was a Teenage Werebear”, Lockhart plays Ricky; a young man with the ‘urge to purge’ and with feelings he just can’t get a handle on. But after he meets Talon he becomes that which he fears he is the most-a teenage werebear!!

Okay, so I know there’s a message here about showing tolerance and respect to our gay and lesbian brothers and sisters. But couldn’t they have been a little more subtle? To put it mildly, “I Was a Teenage Werebear” is about as subtle as Jason Voorhees at a ballet recital. There are so many gay dick references in this film I had to make sure somebody didn’t switch DVD’s on me. If you weren’t aware that director Tim Sullivan is openly gay before watching this then you will be afterward. After the strong opening of “Wadzilla”, Chillerama took a downward spiral with this one.

TRIVIA

Filming for the Segment ‘I Was a Teenage Werebear’ was almost shut down due to the location sheriff not approving to the content of the script.

Thomas Dekker was considered for the part of Ricky for the “I Was a Teenage Werebear” segment.

Tim Sullivan replaced another actor at the last minute for the segment “I Was a Teenage Werebear.”

THE DIARY OF ANNE FRANKENSTEIN

Starring

Joel David Moore as Adolf Hitler

Kristina Klebe as Eva Braun

Kane Hodder as Meshugannah

Written and Directed by Adam Green

Did you know that Anne Frank was once Anne Frankenstein? Did you know that the family name was shortened to separate them from the atrocities created by her ancestor, Victor? Well, if you didn’t you sure as hell do now. Joel David Moore is the Führer who creates an all too Jewish monster to help him win the war. Kane Hodder plays the monster Meshugannah, who can kill Nazis, put together jigsaw puzzles of puppies and get you back $200 extra on your income taxes. I don’t know whether this is a ‘so bad it’s bad’ movie or a ‘so bad it’s really bad’ movie. What I do know is that it’s quite possibly the strangest role Kane Hodder (Jason Voorhees, Victor Crowley) has ever played.

Best line-

Hitler to soldier-”Here. Write depressing stuff in this as if the little girl wrote it. We’ll sell it after the war and make millions.”

TRIVIA

Kristina Klebe and her mother translated the script for “The Diary of Anne Frankenstein” segment into German for all the German-speaking cast members.

Joel David Moore learned some German for his role as Adolf Hitler. However, a majority of the lines Hitler says in the film are not German.

The blood in the segment “The Diary of Ann Frankenstein” was really chocolate syrup.

½

ZOM-B-MOVIE

Starring

Corey Jones as Toby

Kaili Thorne as Mayna

Brendan McCreary as Ryan

Miles Dougal as Floyd

Richard Riehle as Cecil Kaufman

Written and Directed by Joe Lynch

The last film in the series was intended to be “Deathication”. However, while that horror movie is playing, a real horror movie breaks out at the drive-in. One of the employees is turned into a zombie after having his balls bitten off by his dead wife. He relieves himself by using popcorn butter as lubrication. This in turn causes the blue junk seeping from his groin to drop into said butter and is thus distributed to the hundreds of patrons. After that you have a small zombie apocalypse. But these zombies don’t want to eat you, they want to have sex with you. I swear to God I am not making this shit up. Is it tasteless? Yes. Is it offensive? Probably. Is it good? Oh, hell no.

TRIVIA

The Kaufman drive-in theater is named after Lloyd Kaufman.

The drive-in theater location was an actual working drive-in.

 What starts off as a strong contender in the B-movie genre drops off into oblivion with it’s second (“I Was a Teenage Werebear”) and fourth (“Zom-B-Movie”) installments. I think the problem was not in the subject matter, but in the fact that it seems as if the filmmakers go out of their way to offend.

Overall Rating: 

Note: I apologize for there not being any cast photos.

 

X-MEN:FIRST CLASS

X-MEN:FIRST CLASS-United States-2011

James McAvoy as Charles Xavier

Michael Fassbender as Erik Lehnsherr/Magneto

Oliver Platt as Man in Black Suit

Kevin Bacon as Sebastian Shaw

Jennifer Lawrence as Raven/Mystique

Jennifer Lawrence as Raven/Mystique

Nicholas Hoult as Hank McCoy/Beast

Nicholas Hoult as Hank McCoy/Beast

Lucas Till as Alex Summers/Havok

Caleb Landry Jones as Sean Cassidy/Banshee

Jason Flemyng as Azazel

Zoë Kravitz as Angel Salvadore

Edi Gathegi as Armando Muñoz/Darwin

Álex González as Janos Quested/Riptide

Directed by Matthew Vaughn

Screenplay by Ashley Edward Miller, Zack Stentz, Jane Goldman and Matthew Vaughn

Story by Sheldon Turner and Bryan Singer

Thank God for Michael Fassbender! Okay, I know this film is about the X-men as a team. I know that it stars James McAvoy as Charles Xavier before he became a poster child for the handi-capable. I know that it stars a post-Winter’s Bone and a pre-The Hunger Games Jennifer Lawrence as the even hot when she’s blue Mystique. I know it stars the brilliant and underrated Kevin Bacon as the villain Sebastian Shaw. I know that it introduces the world to Banshee, Havok and all the other beloved X-men. I know all that and then some.

So why do I say thank God for Michael Fassbender? I say it because finally someone has the balls to step up and give us an absolutely no holds barred definitive version of the greatest villain that Marvel Comics has ever unleashed on this world. I’m talking about the man, the myth, the Master of Magnetism himself-Magneto. Fassbender does for Magneto what Ian McKellen was never able to accomplish. He shows us the man behind the name; he shows us the weaknesses and takes us on the journey that Erik Lehnsherr would take on his way to become the Malcolm X to Charles Xavier’s Martin Luther King. Fassbender’s Erik/Magneto rules with an iron fist and he is just getting started. This is no miniscule movie review, you mere mortals. This is the paving of the way for Mr. Fassbender and his magnificent performance.

So, now that I’ve lain that little bit of hyperbole on you, I’m going to close out with a little bit more. X-men: First Class is everything a superhero movie should be. It’s exciting, over the top, a little corny and last but not least it is one hell of a ride. X-men: First Class is the best superhero team movie ever made. Until May 4, 2012 and the release of The Avengers I will stand by that statement with every fiber of my being. After that day, we shall see.

TRIVIA

Amber Heard was rumored to play Mystique before Jennifer Lawrence was cast.

The uniforms the X-Men wear are colored blue and yellow, in homage to the original blue/yellow suits the X-Men wore in the comics from 1963 (their debut) until (original artist and co-creator) Jack Kirby’s departure from the book. After several costume changes throughout the years, the costumes used in X-Men inspired new black leather uniforms seen in the Grant Morrison written 2001 New X-Men comic).

Director Matthew Vaughn cited the first two X-Films, Star Trek and the 1960s Bond films as major influences on this film.

Both Michael Fassbender and James McAvoy appeared in Band of Brothers at the start of their careers. This marks their first appearance together since then.

CAPTAIN AMERICA: THE FIRST AVENGER

CAPTAIN AMERICA: THE FIRST AVENGER-United States-2011

Chris Evans as Steve Rogers/Captain America

 

Tommy Lee Jones as Colonel Chester Phillips

 

Hugo Weaving as Johann Schmidt/The Red Skull

 
 
Directed by Joe Johnston
 
Screenplay by Christopher Markus and Stephen McFeeley
Based on the Marvel Comics character created by Joe Simon and Jack Kirby
 
I went to all the major superhero films that were released in 2011. What can I tell you, I’m a comic book geek? I love superheroes and the escapist fantasy that they represent. But I also have to admit one other little detail. I’m just not a big fan of Captain America. So why did I see the movie based on his origin? There are two reasons. For the first, you may refer to the line that says ‘comic book geek’. The second reason is because I went to see the Thor movie and I’m not a fan of his either. In fact, the only two comic book movies that emerged last year of which I am a fan were X-Men: First Class and Green Lantern. I’m still a fan of the X-men.

    But enough about the others, I’m here to tell you what I think about Captain America. I can sum it up in one word. Eh. There are some moments in the film that should have been amazing to watch, but they were just…there. I believe that Chris Evans was a good physical fit as the good Captain, but I really didn’t find his screen presence to be all that great. To be honest, I had more fun watching Hugo Weaving chew the scenery as Johann Schmidt/The Red Skull than I did Evans as Steve Rogers/Captain America. But, I digress. I don’t lay the blame squarely on Evan’s shoulders. I lay the blame solely on one person and that person is director Joe Johnston. Up to and including Captain America, I have yet to see a motion picture from Johnston that wasn’t half-ass. Jumanji-boring. Jurassic Park III-worst of the series. The Wolfman-not bad, not good, just there.

That’s the way I feel about Captain America: The First Avenger. It’s just there, that’s all.

TRIVIA

Jon Favreau was originally chosen by Marvel Studios to direct this film (which he intended to make as a buddy comedy), but he chose to direct Iron Man. Nick Cassavetes, was also considered to direct this film, and had been set as a director forIron Man in December 2004.

Louis Leterrier viewed some of the concept art for the film, and was impressed enough to offer his services, but Marvel Studios turned him down. However, his film The Incredible Hulk features a small appearance by Captain America: a deleted scene set in the Arctic features his body hidden in a slab of ice.

Hugo Weaving based the Red Skull’s accent on renowned German filmmakers Werner Herzog and Klaus Maria Brandauer.

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This is something I don’t usually do; but it has been brought to my attention that I may have been a bit harsh in my critcism of Chris Evans in his role as Captain America. I admit that my review was based on having the film upon it’s release and was therefore based in turn on memory. I re-watched the film last night and I am not afraid to admit that I was wrong. Evans does a highly credible job in the role and should be commended. I still stand by my criticism of director Joe Johnston. My rating for the film now moves up from a 2 blood drop rating to 3.

THE WOMAN

THE WOMAN-United States-2011

Sean Bridges as Chris Cleek

Angela Bettis as Belle Cleek

Lauren Ashley Carter as Peggy Cleek

Zach Rand as Brian Cleek

Carlee Baker as Genevieve Raton

Pollyanna McIntosh as The Woman

Directed by Lucky McKee

Written by Lucky McKee and Jack Ketchum

Based on the novel “The Woman” by Lucky McKee and Jack Ketchum

The Woman is a film about the thin line between the civilized and the uncivilized; between the decent and the depraved. There is a statement on the DVD box indicating that it was an official selection of the 2011 Sundance Film Festival. I get a strong feeling that the audience attending its premiere were wondering about the truck that hit them. The Woman will shock you, it will even disgust you; but it will not leave you. It’s been a few hours since I watched the film and I still can’t get it out of my head. I don’t think I ever will.

I’ve been watching movies for as far back as I can I remember and I am of the opinion that there has never been a character that I have hated more than that of Chris Cleek. It’s not because of bad acting. Sean Bridges brings an Oscar worthy performance to the role of Cleek. It’s not because of bad writing, either. The film is co-written by two of the most ingenious and twisted minds working in the horror genre today, author Jack Ketchum (Off Season, Offspring, The Girl Next Door) and director Lucky McKee (May, The Woods, Red). No, my hatred for Chris Cleek is because of the person that he is. To Cleek, women are slaves to fetch his coffee, an occasional place to put his penis and they are always there to slap around when they get out of line.

Cleek is a man so low that he would molest his teenage daughter. This is something that’s never mentioned in the film, but it doesn’t have to be. The knowledge of it festers throughout the course of this movie like a pus-filled wound ready to burst. Cleek’s wife, played beautifully by McKee mainstay Angela Bettis, is but a punching bag to him; he says jump, she doesn’t ask ‘how high’, she just does. His son, Brian, at 14 already displays the sociopathic, misogynistic tendencies of his father. When a girl bests him in a free throw contest, he congratulates her to her face, but then sticks gum in her hairbrush and plays the hero by helping her when she gets it stuck in her hair. Like Chris Cleek, he sees women as objects; but not only for his sexual satisfaction. They are for hurting, for torture. Just ask the one shackled in their storm cellar. That’s what this movie is all about; the woman.

The Woman.

The Woman.

TRIVIA

The book ‘The Woman’ will be released to coincide with the film.

Chris Cleek repeatedly uses the word “anophthalmia” in reference to one of his daughters. Unilateral anophthalmia is the congenital absence of one eye, and bilateral anophthalmia is the congenital absence of both eyes.

½

 

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FINAL DESTINATION 5

FINAL DESTINATION 5-United States-2011

Emma Bell as Molly Harper

Miles Fisher as Peter Friedkin

Arlen Escarpeta as Nathan

David Koechner as Dennis

Tony Todd as William Bludworth

Directed by Steven Quale

Screenplay by Eric Heisserer and Jeffrey Reddick 

Hmm, let’s see. First it was a plane crash, then an interstate smash-up, then a roller coaster derailment, then a disastrous day at the races. So, how many more ways can the producers and creators of the Final Destination franchise possibly find to kill a whole bunch of people? Oh, right! What was I thinking? A bridge collapse! That’ll show them!

So, now we come to Final Destination 5; and once again we have a disposable cast escaping one catastrophe merely to have their lives cut short in various grotesque and gruesome ways. I have to admit something, though; as tired as the franchise is becoming (the third film should have been the last), I find myself liking the series despite the fact that it’s worn out its welcome. In a way it reminds me of the Friday the 13th franchise in that although we grew tired of there being so many of them we kept coming back for the kills. Final Destination 5 has some pretty cool death scenes, but it still doesn’t top the ones in Final Destination 2. That one had a kid being crushed by a pane of a glass, a barb-wire slice and dice and an elevator decapitation. FD5 has death by parallel bars, acupuncture disaster and a Donnie Darkoesque death by airplane engine.

The cast, although expendable, does a decent job with what they’re given and they rise to the task of dying. Emma Bell would have to be the standout performer in this one as she is probably the one most recognizable to genre fans from her work in Frozen and The Walking Dead. David Koechner comes to the series from the comedic genre after appearances in Anchorman: The Legend of Ron Burgundy, Paul and a stint on Saturday Night Live and The Office.

I’ll say the same thing about this film and the series in general that I said about Sucker Punch. If you watch FD5 expecting Oscar caliber performances and emotionally wrought drama then you’re humping the wrong leg. The series is meant to be mindless entertainment in which one film is completely interchangeable with the other. Enjoy it for what it is, folks. I sure as hell do.

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Producers have said that this installment will be darker (like the first film), as opposed to the almost comedic route that the 4th film took.
 
This is the third film in the series to feature a male lead having the premonitions.
 
The restaurant that Sam works in is called Le Cafe Miro 81. This cafe was seen at the end of Final Destination in Paris. When looked at from this angle, MirO81, and flipped, it’s another reference to “180″ – a number referenced throughout the franchise.
 
Many of the main characters are named after famous horror directors: Peter Friedkin is named after The Exorcist director William Friedkin; Candice Hooper is named after Tobe Hooper who directed The Texas Chain Saw Massacre and Poltergeist;and Olivia Castle is named after William Castle who directed The Tingler and the original House on Haunted Hill.
 
½

SUCKER PUNCH

SUCKER PUNCH-United States-2011

Emily Browning as Babydoll

 

Abbie Cornish as Sweet Pea

 

Jena Malone as Rocket

 

Vanessa Hudgens as Blondie

 

Jamie Chung as Amber

 

Carla Gugino as Madam Gorski/Dr. Vera Gorski

 

Scott Glenn as Wise Man

 
 
Directed by Zack Snyder
 
Screenplay by Zack Snyder and Steve Shibuya
Story by Zack Snyder
 

I know I know Sucker Punch is not a horror movie. But you ought to know by now that I don’t always review horror movies. I wanted to review this movie because I personally feel that it’s been unfairly maligned by the critics and by the general public. My question is what did you expect from this film? If you expected an Oscar-caliber movie with meaningful, emotionally wrenched performances and a moral that will all make us sleep better at night then you’re humping the wrong leg. This film is an experiment in over the top excess, scantily clad girls with sexy weapons and amazing special effects and that is all that it is intended to be. It’s bawdy, bold, bitching and ballsy. It’s the Wizard of Oz if Dorothy wore short dresses, sexy black stockings and were packing an Uzi and channeling Peter Finch from Network.  Emily Browning is Babydoll, an all too lovely young girl wrongfully interred by her stepfather to a home for the mentally disturbed. To escape her fate she retreats into a fantasy world of Nazi zombies, giant samurai and big flaming dragons. It is a world where she must recover five objects that will help her to escape her real world incarceration. She is assisted in her quest by four equally all too lovely lasses; Rocket, Sweet Pea, Amber, Blondie, and a Wise Man, played by Scott Glenn; whose character has taken a page from Sun Tzu and from Kwai Chang Caine. He has all the answers and a wise quote for every occasion. Does she escape? Is there a happy ending? Maybe she does, maybe she doesn’t. All I know is that I went to see this film with no expectations and came away a happy camper. If you watch this film expecting a substance filled plot and every frame wrought with meaning then you’re going about it all wrong. The best way to watch this film is with your eyes wide open and your assumptions thrown out the door on its ass. This is a movie about babes in sexy outfits moving in slow motion and firing big effin’ guns and that’s all there is to it. In other words it’s a whole lot of freaking fun.

TRIVIA
 
Amanda Seyfried was the first choice for Babydoll, but she dropped out due to scheduling conflicts. 
 
Emma Stone was in early talks to star as Amber, but dropped out to star in Easy A.
 
The two banners beside Scott Glenn’s character as shown in the trailer are a famous couplet from ‘The Art of War’ by Sun Tzu: “Move swift as the Wind and closely-formed as the Wood. Attack like the Fire and be still as the Mountain.” This was later made into a famous battle standard by the Japanese warlord Takeda Shingen.
 
Despite playing the lead character, Emily Browning does not have a line of dialogue until about 20 minutes into the film.
 
Angelina Jolie was considered for the role of Dr. Vera Gorski.
 
Pink Floyd’s Dark Side of the Moon album and Sucker Punch sync in a compilation titled, “Dark Side of the Sucker Punch”. A fan discovered the synchronicity and has revealed all details including the compilation itself through the internet. A similar thing happened with The Wizard Of Oz (Dark Side Of The Rainbow). The Wizard Of Oz, Dark Side Of The Moon, and Sucker Punch share similar themes.
 
 
 
 
 
 
 

HOSTEL: PART III

HOSTEL: PART III-United States-2011

Kip Pardue as Carter McMullen

John Hensley as Justin

Sarah Habel as Kendra

Brian Hallisay as Scott

Zulay Henao as Nikki

Directed by Scott Spiegel

Written by Michael D. Weiss and Eli Roth (characters)

Guys, have you ever been standing at a urinal, just getting ready to zip up, when someone makes the comment about how if you shake it more than three times then you’re playing with it? With the first two Hostel films, Eli Roth and company shook us just enough to have a little fun. The third film in the series is just jerking us off altogether. I just watched this film and I am now completely aware of what a cheap hooker feels like. First of all, why did they have to set this one in Vegas? Was it supposed to be a pun? You know, ‘what happens in Vegas stays in Vegas’ and all that bullshit. Oh, and don’t even get me started on the kills. The first two films had some pretty damn inventive kills. These were just anemic. But you know what really pisses me off about the kills? I have the unrated version of the film. If this is the unrated version of this film then the rated version must have been produced by Walt Disney. Mufasa from The Lion King, Bambi’s mom and Ole Yeller all had scarier deaths than this film.

The other thing that I hated was how they played us along by the old cliché’ of people not being what they seem. Hello! Assholes! Been there, done that a thousand times already! Get some new material. Anyway, if you want to be played with just enough to feel nice and tingly then by all means check out the first two films in the series. If you want to be anally raped without so much as a card or flowers, then Hostel Part III is the film for you.

TRIVIA

The first film in the series to not have a theatrical release.

The first film in the series not to be directed by Eli Roth.

Barry Livingston, who portrayed Ernie Douglas on the television series “My Three Sons“, has a cameo as an Elite Hunting Club client.

NO BLOOD DROPS

RISE OF THE PLANET OF THE APES

RISE OF THE PLANET OF THE APES-United States-2011

James Franco as Will Rodman

 

Freida Pinto as Caroline Aranha

 

John Lithgow as Charles Rodman

 

Brian Cox as John Landon (image not from film)

 

Tom Felton as Dodge Landon

 

Andy Serkis as Caesar

 
 
Directed by Rupert Wyatt
 
Written by Rick Jaffa and Amanda Silver
 
Suggested by the novel “La Planete de Singes” by Pierre Boulle
 

There are two things I remember about the 1971 film Escape from the Planet of the Apes. The first thing is an argument I had with my mother about my appointed bedtime and the fact that the film overlapped it by thirty minutes. To make a long story short, I lost. The second thing is the story that the chimpanzee, Cornelius, recounts to Armando, his human ‘handler’. The story is about how the first word ever spoken by an ape was the word ‘no’. At that moment I never would have imagined that someone would take that story and build an entire movie around it; but that is exactly what the creators of Rise of the Planet of the Apes has done. They have taken that one seed and they have nurtured it and have given us a film that serves not only as a prequel to the original Planet of the Apes series, but also as a new beginning for an entirely new franchise. My personal opinion as to how the saga should be handled from here on would be that the creators take their time. Don’t jump from Rise of the Planet of the Apes straight into Planet of the Apes. There should be at 2 films in between that detail the further rise of Caesar the chimpanzee and his simian revolution. Let’s face it; Bruce Wayne didn’t become Batman immediately after the death of his parents and Kal-el didn’t crash land in a cornfield, slap on a cape and start flying around with his tiny little super-pee-pee flapping in the breeze. In regards to the POTA franchise I would like to quote the talented singer-songwriter Steve Earle. He said “the revolution starts now”. Indeed it does; just don’t let it end after one film.

TRIVIA

 
This is the second film in which Andy Serkis plays an ape, having previously portrayed 2005′s version of King Kong. He was also the motion capture actor for Gollum in Lord of the Rings, where he bites off Frodo’s finger. His ape character Caesar bites the neighbor’s finger in this role, too.
 
Caesar uses a bundle of sticks to explain to Maurice how an ape alone is weak but apes together are strong. The bundle of sticks, or fasces, was a symbol of authority in ancient Rome, the origin of Caesar’s name. Caesar’s charisma is also reminiscent of Benito Mussolini, who adopted the fasces as the symbol of his Italian Fascist party. The fasces or bundle of sticks concept is also used in several symbols in the architecture of the American White House and Captiol and is the subject of the Aesop fable “The Bundle of Sticks” about a father demonstrating to his sons how they should work together.
 
The jigsaw puzzle that Caesar has nearly completed is a depiction of Taylor and Nova riding the horse down the beach just before coming upon the Statue of Liberty.
 
 Andy Serkis based Caesar’s behavior on a chimpanzee named Oliver, for the balance of behaving like a civilized chimp. His red shirt and black pants, his appearance and ability to sign well is based on another chimpanzee in science, Nim Chimpsky.
 
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