Category Archives: Serial Killer Films
HENRY:PORTRAIT OF A SERIAL KILLER
HENRY:PORTRAIT OF A SERIAL KILLER-United States-1990
Directed by John McNaughton
Written by Richard Fire and John McNaughton
“There’s a killer on the road,
His brain is squirming like a toad…”-Jim Morrison
Henry: Portrait of a Serial Killer is as haunting and as chilling a film as you are ever likely to see. Loosely based on the life of serial killer Henry Lee Lucas, it is a terrifying look through the eyes of a killer. It is obvious from the beginning of the film that Henry doesn’t just want to kill, he has to kill. He is a predator among the weak, picking them out when they are alone and striking with murderous precision. The only anchor that Henry has in his life to keep him centered is Becky. Like Henry, Becky is damaged goods. She falls in love with Henry because she feels that they are mirror images of each other. She was molested by her father; he was forced by his mother, a whore, to watch her fornicate with strangers. Yes, Henry and Becky are a lot alike; but Becky chose to live a good life despite the indiscretions against her. Henry, however, chose evil.
Oh, and let’s not forget Otis, Becky’s brother and Henry’s friend. The three of them share an apartment together. Otis soon becomes Henry’s willing, accomplice in his kills. However, he is also the line that Henry draws between right and wrong, albeit twisted as it is. Henry stops Otis when he makes advances toward Becky. To his twisted sense of morality, that’s something you just don’t do.
There are a few glaring errors in the film. In the opening scene we see a woman naked and dead lying on the side of the highway like garbage. As the camera pans away we see her eyes move ever so slightly. The same goes for a woman later in the film whom we see draw a breath, although she is clearly dead. But these things are trivial and should not be held against the film. The film works on the strength of its performances. Michael Rooker is brilliant as Henry. This is his first major role and he carries it with all the intensity of a seasoned professional. Tom Towles and Tracy Arnold are strong in their supporting roles as Otis and Becky. But from the beginning we are very aware that this is Rooker’s moment to shine.
Henry: Portrait of a Serial Killer is not for the weak-hearted. It is an unflinching, uncompromising portrayal of the evil that dwells within the human psyche. There are no ghosts, no vampires, no werewolves or demons. Only a man named Henry. We have met the killer and the killer is us.
Trivia
After filming the family massacre scene, actor Tom Towles (Otis) insisted that actressLisa Temple (who plays the mother) go to the casualty department because he was convinced he had injured her neck for real when he snapped it. Temple herself was confidant that no damage had been done, but for Towles’ piece of mind, she did go to casualty, where she received a clean bill of health. Over time, this story has evolved into an urban myth that Temple had to go to hospital because she was so traumatized by shooting the scene, the content of which the filmmakers had concealed from her prior to shooting. As she herself tells it in Portrait: The Making of ‘Henry’, there is no truth in this story whatsoever. She went to the hospital purely as a precaution.
During its release limbo, tapes circulated around Hollywood which won many roles forMichael Rooker including one in Eight Men Out.
Michael Rooker said he was working as a janitor when he auditioned for the part of Henry and went to the audition in his janitor uniform. He got the part, and continued to wear his uniform throughout the film shoot. He only had one jacket, though, so he took it off before he “killed” anyone so he wouldn’t get blood on it.
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