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AUTHOR SHOWDOWN: POE VS. LOVECRAFT

Edgar_Allan_Poe_2

EDGAR ALLAN POE

Born January 19, 1809 in Boston, Massachusetts

Died October 7. 1849 in Baltimore, Maryland

Father of detective fiction

Author, poet, editor and literary critic

Poems include:

The Raven

Eldorado

The Bells

Annabel Lee

The Conqueror Worm

Short stories:

The Black Cat

The Tell-tale Heart

The Cask of Amontillado

The Pit and the Pendulum

The Fall of the House of Usher

Influenced:

Ambrose Bierce

Agatha Christie

Sir Arthur Conan Doyle

Clive Barker

Harlan Ellison

Stephen King

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HP-Lovecraft-Glasses

HOWARD PHILLIPS “H.P.” LOVECRAFT

Born August 20, 1890 in Providence, Rhode Island

Died March 15, 1937 in Providence, Rhode Island

Creator of the Cthulhu Mythos

Short story writer, editor, novelist and poet

Notable stories:

At the Mountains of Madness

The Case of Charles Dexter Ward

The Call of Cthulhu

The Shadow Over Innsmouth

Herbert West-Re-Animator

Influenced:

Robert Bloch

August Derleth

Ramsey Campbell

Alan Moore

Neil Gaiman

Stephen King

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Here’s how it goes, folks; this is very similar to “What’s Their Best Film?”, only this time I want you to pretend you’re on a desert island with no boat, no life, no motor car and especially no Mary Ann or Ginger. Before you ended up here you only had time to grab the complete works of either Edgar Allan Poe or H.P. Lovecraft to take with you to pass the time while you wait to be rescued. I know, it’s far-fetched; but work with me.

Who do you choose?

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THE PIT AND THE PENDULUM

THE PIT AND THE PENDULUM-United States-1961

Vincent Price as Nicholas Medina

John Kerr as Francis Barnard

Barbara Steele as Elizabeth Barnard Medina

Luana Anders as Catherine Medina (Image not from film)

Antony Carbone (L) as Doctor Charles Leon

Directed by Roger Corman

Screenplay by Richard Matheson

Based on the short story by Edgar Allan Poe

I love going back to those movies that I saw years ago as a child. Just before I watch them I begin to wonder if they will have the same effect on me now as then. Sometimes time has been unkind to them and I am left to desire more. With “The Pit and the Pendulum” the old frights are there, although not as intense as I remember; but that takes nothing from a film that is more atmospherically unsettling in some scenes and that most films of today cannot hold a candle to. Without films such as “The Pit and the Pendulum” and actors like Vincent Price and the raven-haired beauty Barbara Steele to give him inspiration the world might never have heard of Tim Burton.

Growing up in Spartanburg, South Carolina I would be driven to the local library by my mother or my sister. On certain weeknights they would show old movies and it is there that I was first frightened out of my wits by this adaptation of Edgar Allan Poe’s tale of betrayal, torture and deceit. I watched as Francis Barnard (John Kerr) desperately tried to find out the cause of his sister Elizabeth’s untimely passing. I watched as the great Vincent Price ran the gamut of emotions from agony to anguish as he tortured himself for his beloved wife’s death.  I remember nearly jumping out of my seat when her casket was opened and her terror-stricken face was revealed. This was one of the moments in my life that my love for horror was released from within the pits of my mind and allowed full reign over my senses. The revelation of her ghastly visage is the stuff that nightmares are made of and it is no lie when I tell you that when I saw that face again 40 years later it still sent a chill down my spine. But the terror does not end there. “The Pit and the Pendulum” has enough fright to fill 10 movies and there is not one false fright or jump scene to be found. No, the scares occur as a result of the combination of the characters reactions and to the screenwriter (Richard Matheson-“The Twilight Zone”, “Trilogy of Terror”) and the director’s (Roger Corman-“A Bucket of Blood”, “The Little Shop of Horrors”); and to their ability to convey that atmosphere of fear to us, the audience. When was the last time you saw a horror film that scared you without making you feel like you were going into cardiac arrest? The fear makers of today could learn a lot by studying the movies of yesterday.

So, the next time you watch “Sleepy Hollow” or “Edward Scissorhands” or almost any of Tim Burton’s gothic tales, make sure you whisper a soft little thank you to Vincent Price, Roger Corman, Richard Matheson and Barbara Steele. They’ve certainly earned it.

Oh, make sure you thank Edgar, too. He’s definitely earned it.

TRIVIA

The film never had an original prologue. It was added when the film was sold to TV and a further few minutes were required to pad out the running time. Only Luana Anders from the original cast was available so an extra scene of her in a madhouse was filmed and tacked on to the beginning. This scene does not really tie in with the rest of the film.

To increase the pendulum’s sense of deadly menace, director Roger Corman took out every other frame during the editing stage making the blade appear to move twice as fast.

Actor John Kerr was worried about being strapped down to the table with the pendulum above him for the movie’s climax. In order to demonstrate that it was perfectly safe, director Roger Corman stood in for Kerr while the scene was being set up.

SCREAM QUEEN OF THE MONTH-MAY 2012-ROSE McGOWAN

Do you want to know when you’ve achieved hotness as a horror hottie? When you can spend the second act of a film with a wooden table leg in place of your real one; and the last act of the same film with a machine gun in place of the same wooden table leg that was a substitute for your real leg in the first place and look damn sexy either way. That’s exactly what Rose McGowan did when she starred as Cherry Darling, ex-Go Go Dancer turned bad-ass zombie killer in Robert Rodriguez’ “Planet Terror“. Miss McGowan has had quite the career in the horror genre with roles in “Scream” (1996), “Devil in the Flesh” (1998), “Phantoms” (1998) and the television series “Charmed” (2001-2006). She is in post-production on “The Tell-tale Heart“, based on the short story by Edgar Allan Poe; and in pre-production with Julia Stiles and Virginia Madsen on “The Bell Jar”, based on the novel by Sylvia Plath. It looks like Written in Blood’s Scream Queen of the Month for May 2012 is just…cherry.

TRIVIA

Auditioned for the role of Lisa in Girl, Interrupted (1999). The part eventually went to Angelina Jolie.

She won the role of Tatum Riley in Scream (1996) after Melinda Clarke turned it down. Coincidentally, the two would later work together when Clarke guest starred on ”Charmed” (1998) in October 2002.

Has agoraphobia and OCD (Obsessive Compulsive Disorder).

Quote: “I think if I had lived back in Salem, I would have been burned at the stake.”

THE BLACK CAT by Edgar Allan Poe

Edgar Allan Poe is one of the best known autho...

Eddie Poe

THE BLACK CAT by Edgar Allan Poe-Published in 1843

    There have been a plethora of writers, musicians and the like who have suffered from insanity throughout the years. But this guy, Edgar Allan Poe, quite personally I believe that he wrote the book on it. For not only was he not writing with a full inkwell, he was also an alcoholic. In fact, a lot of times he would incorporate his insanity and his alcoholism into his stories. The Black Cat is a clear example of one of those tales.   

    At the beginning, the narrator of the story tells his story as he awaits his execution for the murder of his wife. It all begins with this man having a deep love for animals, especially the large black cat that was his constant companion. But one day, fueled by alcohol and madness, he cuts the eye out of the animal, severing its trust with him permanently. He eventually kills the cat by hanging it from a tree, but it doesn’t end there. Another cat appears one day with almost identical markings and missing the same eye as the previous feline. In a fit of anger over the animal, he attempts to strike it dead only to bury the axe in his wife’s skull when she intervenes. Using bricks and mortar, he hides her corpse within the walls of their home, satisfied that he has gotten away with murder. Au contraire, he forgets one little detail. It appears that he has walled the very beast he intended the axe for in the first place in the homemade tomb that he has hidden his wife. Its incessant caterwauling leads the police to her body and our narrator to the executioner.

    So, what exactly is the black cat? Not the first cat in the story, mind you; that cat was the representation of the suffering caused by alcoholic rage. The suffering the drunkard causes others, not his own. No, I mean the cat that our hapless narrator unwittingly entombs with his split-headed spouse. Is it a demon? Perhaps so, it is clear that this man’s’ soul is in a torment from which he cannot escape; a torment that the cat itself appears to be the catalyst. Or is the cat a symbol of his guilt, of his desire to confess? While the story deals with madness and anger fueled by drink, it is also a study of guilt itself. Here’s a question; what if there was no cat? What if it were all a figment of the narrator’s tortured imagination? One thing I do know is that there have been a lot of guilty people throughout history for which the black cat should have yowled and meowed for.

THE MONKEY’S PAW by W.W. Jacobs

Zevon in a promotional picture from the 1990s

"I've got a bitter pot of je ne sais quoiGuess what-I'm stirring it with a monkey's paw"-Warren Zevon-Genius

THE MONKEY’S PAW by W.W. Jacobs

Published in 1902

Did you ever have a rabbit’s foot when you were a kid? I did. It wasn’t real, but it was supposed to bring good luck to whoever owned it. I’m sure at one time or another people carried real rabbit’s feet around. So I beg to differ about that whole good luck thing. The rabbit lost his foot, how lucky is that? It’s like Bruce Springsteen sang, ‘with very wish there comes a curse.’ That’s the whole idea behind the short storyThe Monkey’s Paw” by W.W. Jacobs. A couple receives a mummified monkey’s paw that supposedly will grant its owner 3 wishes. The couple wishes for two hundred pounds so that they may pay their house loan. The next day their son is killed in a horrible industrial accident and for their compensation they receive the amount of, you guessed it, two hundred pounds.

    But it doesn’t stop there. The mother obviously has not learned her lesson. For she thinks, “If this monkey’s paw can give us this money, then it can return our boy to us!” Well now, she’s right, it can return him to his loving parents. The thing is he’s messed up bad. He’s messed up in the ‘dad could only identify him by his clothing’ way. But being a husband who loves his wife and doesn’t want to see her grieving, he finds the paw and wishes their boy alive again. Then there is a knock on the door. Is it him? Is it their son? The woman rushes to the door! The husband knows that he can’t allow her to see her son in this condition and finds the paw yet again and just before she flings the door open he wishes his final wish. The knocking stops as the wife opens the door to the emptiness of the night.

    It’s funny, W.W. Jacobs was known throughout his career for being a writer of humor. But can you, off the top of your head, name any other story that the man wrote? I sure as hell can’t. The Monkey’s Paw has been around for so long and has been adapted and parodied in so many ways that it has become a landmark of the horror short story. Everybody from the Simpsons to the late Warren Zevon has paid homage to this story in one way or another.

    So, if I had a monkey’s paw in my pocket that would grant you three wishes. Would you take it? Think hard before you make your decision. For some reason you decide yes, then be careful what you wish for. Who knows, you might just get it.

 

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