Rosemary’s Baby is one of those movies that defines the word ‘insidious’. As each frame progresses you feel it getting under your skin slowly and subtly. Here’s hoping these awesome alt-posters do the same trick.
ALT-POSTR-MONDAY: ROSEMARY’S BABY
This has to be my most self-indulgent post ever. It’s simple-I made a reading list of horror or dark fiction that I want to read and I want to share it with all of you. What, you didn’t think that all I do is watch movies, did you?
On June 14, 2014 I made a change to the list in that I added All Heads Turn When the Hunt Goes By by John Farris. I plan to try to keep this post updated as much as possible whether anyone reads it or not.
June 15, 2014-added Audition by Ryu Murakami. I also scratched American Psycho off the list. I remember trying to read it a few years ago and thinking it was more like stereo instructions. The movie was, indeed, better.
July 31st, 2014-removed Spirit by Graham Masterton and added Mister B. Gone by Clive Barker.
Here we go, in no particular order:
Here’s a video of one pick, since I couldn’t find a decent cover photo:
Since I made some changes, the printable list I made is out of date so I’ve deleted it from here.
Okay, I’m all done being self-indulgent. If you have suggestions for any others then toss them my way in the comments. Thank you.
ROSEMARY’S BABY-United States-136 Mins. 1968
Directed by Roman Polanski
Screenplay by Roman Polanski
Based on the novel by Ira Levin
I think I’ve watched Rosemary’s Baby maybe three times since its release in 1968. I was six years old back then, and my parents still had a grip on the things that would shape my impressionable mind. They weren’t about to let me watch a wholly adult (in the non-pornographic sense of the word) film about a young woman who gives birth to the devil’s child. I believe I was maybe 15 when I saw the film for the first time. To be honest, I wasn’t impressed. That can be easily explained, though. At fifteen I had not yet learned that the unseen is scarier than what can be seen. I was hoping for blood, gore and scary monsters and Rosemary’s Baby gives us none of that. Watching it later on life I realize that it is a brilliantly written, directed and acted film that deserves the classic status that has been bestowed upon it in the years since its release. Despite his notoriety outside the cinema, one cannot deny that Roman Polanski has crafted a motion picture that works not only as a horror film, but as an engaging and wholly thrilling drama also. Mia Farrow is perfectly cast as Rosemary Woodhouse, the young woman for who the devil comes a-courting. The rest of the cast, led by a brilliant Ruth Gordon in her Oscar-winning role as Minnie Castavet, give performances befitting of their immense talents. Watching Rosemary’s Baby once again, I realize after all these years that subtlety can be a very scary thing. I made my way through Paranormal Activity 1, 2 and 3, The Blair Witch Project and The Last Exorcism and came back full circle to this film that wrote the book on subtle horror.