Clifford Evans as Don Alfredo Corledo

Oliver Reed as Leon Corledo

Yvonne Romain as Servant Girl (Jailer’s Daughter)

Catherine Feller as Cristina Fernando

Directed by Terence Fisher

Written by Anthony Hinds

Based on the novel “The Werewolf of Paris” by Guy Endore

Don’t you just love these old horror movies? No matter how cheesy they are you just can’t seem to get enough of them. I remember these films from my childhood and I recall fond memories of Saturday afternoons spent watching horror movies on the local channels. Films like “The Curse of the Werewolf” kept my fingers in a position just under my eyes so that I could cover them quickly when the werewolf reared his horrible head. 40 years later and I find myself writing about the same movie that scared me so much as a boy. Life is grand.

The Curse of the Werewolf is the tale of Leon. Born on Christmas day he is cursed to become a beast, a killer, a werewolf. Oliver Reed plays the role of Leon to perfection. Here is a man who makes the most out of overacting and it shows in every scene he appears in. In the final scenes Reed is so terrifyingly good as the werewolf I actually found myself hiding my eyes like that little ten year old boy all those years ago. Alright, alright, I can’t back that up. I didn’t hide my eyes.

I hid under the bed. My dog looked at me like I was crazy. I looked at her like ‘who was under here first, bitch?’

Seriously though, “The Curse of the Werewolf” was one of my favorite horror films growing up. Watching it again after all these years was such a thrill despite the fact that it’s an overacted mess. The werewolf makeup still stands as some of the best of all time and I’m talking just as good as “The Wolf Man” here. The only question I have concerning the film is why was the werewolf’s fur blonde when Oliver Reed’s hair was black? That, my friends, is a mystery for the ages. Ah-woooooo!!!


The only werewolf movie made by Hammer Studios.

Makeup-artist Roy Ashton based his makeup for this film on Jack P. Pierce’s makeup forThe Wolf Man.

In an interview, Richard Wordsworth stated that in the original screenplay his beggar character was a werewolf. Hammer told him that the censor had problems with the notion of a werewolf/rapist, so out it went.



  1. Pingback: THE CURSE OF FRANKENSTEIN « Written in Blood

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