JUG FACEUnited States-81 Mins. 2013


Lauren Ashley Carter as Ada in Jug Face

Lauren Ashley Carter as Ada in Jug Face

Sean Bridgers as Dawai in Jug Face

Sean Bridgers as Dawai in Jug Face

Sean Young as Loriss in Jug Face

Sean Young as Loriss in Jug Face

Larry Fessenden as Sustin in Jug Face

Larry Fessenden as Sustin in Jug Face

Daniel Manche as Jessaby in Jug Face

Daniel Manche as Jessaby in Jug Face

Directed and written by Chad Crawford Kinkle

You’re going to have to bear with me for this one; it’s going to take a lot of explaining. I shall begin at the beginning; we see a young girl, Ada (Lauren Ashley Carter, The Woman, Premium Rush) in a sexual liaison with a young man, Jessaby (Daniel Manche, The Girl Next Door, I Sell the Dead). Later, we find out that Ada has been chosen by Bodey (Mathieu Whitman) to be his wife and be the mother of his children. She just has to be pure, that is all. Refer to the part about her fornicating with Jessaby and you’ll have the answer to that one. What we haven’t found out up to this moment is that Jessaby is her brother. Yes, ladies and gentlemen, we are talking some backwoods shenanigans going on here.

Meanwhile, Dawai (Sean Bridgers, The Woman, Sweet Home Alabama), a simpleton, is spinning a jug out on his potter’s wheel. This is where it gets weird; as if incest wasn’t weird enough. There is a place called the Pit and there is a creature in the Pit that heals the people as long as it gets what it wants and what it wants is a sacrifice every now and then. The way the people know who to sacrifice to the pit is through Dawai; the Pit gives him a face and he makes a jug. Whoever’s face is on the jug is sacrificed to the Pit. This time the face on the Jug is Ada’s. Ada finds the jug and hides it; thereby angering the Pit. “The Pit wants what it wants”, she hears continually from Loriss (Sean Young, Blade Runner, Ace Ventura: Pet Detective) and Sustin (Larry Fessenden, Habit, We Are What We Are), her mother and the keeper of the Pit, respectively. Pretty soon Ada is seeing the smoky apparition of a boy and seeing through the Pit’s eyes who it intends to take until she comes forward and makes things right by taking her position as the next sacrifice. End of story; or at least as much as I am willing to tell you.

Aside from the incest and the strange religious beliefs of the backwoods characters in Jug Face, the thing that I found weirdest of all was that I actually liked the movie. I liked the flow of the film and the cadence of the speech of the characters. I liked the redneck drama and the subtle moments of gore when the Pit would take someone. Jug Face isn’t a classic film; hell, it’s not even a great movie. The plot of the film fills the movie nicely; but the length of Jug Face (81 Minutes) makes it seem more like an extended episode of a TV show than that of a motion picture. Still, the acting is good and we get to see a mini-reunion of actors who have appeared in films either based on books by Jack Ketchum (The Woman, The Girl Next Door) or directed by Lucky McKee (The Woman). Just for that fact alone raises my appreciation for Jug Face. If only it didn’t have that ‘incest is best, put your sister to the test’ thing going for it.


Potter and sculptor, Jason Mahlke, designed and created the Face Jugs for the film.






What we have here is a glaring example of a Scream Queen who has only appeared in two horror films; those being House of Wax (2005) and Captivity (2007). What we also have is a glaring example of who cares, she’s hot!! Indeed she is, ladies and gentlemen and boys and girls of all ages. The lovely Miss Cuthbert was born on November 30, 1982 in Calgary, Alberta, Canada. She made her first appearance on the series Are You Afraid of the Dark? (1996) on the Nickelodeon channel. She was the host of Popular Mechanics for Kids (1997) for three years. She also won the Gemini Award (the Canadian Emmy) for her performance in the TV movie Lucky Girl (2001). She moved to Los Angeles at age 17 and landed her breakthrough role as Kim Bauer, the daughter of Jack Bauer (Kiefer Sutherland) on the popular series 24 (2001). Elisha has appeared in the films Old School (2003) with Will Ferrell; Love Actually (2003) with Colin Firth; and The Girl Next Door (2004) with Emile Hirsch.

If you’re Canadian, and your flag is raised, then wave it proudly as we welcome our January 2013 Scream Queen of the Month, Elisha Cuthbert!


While trotting the globe as a correspondent for the award-winning series “Popular Mechanics for Kids” (1997), she caught the eye of First LadyHillary Rodham Clinton and was invited to Washington for a meeting with her.

She left Canada at the age of 17 to move to Los Angeles, California to pursue an acting career. Had a deadline of 6 weeks. By the end of the 5th week was given the role of Kimberley Bauer on Fox’s “24” (2001).

Auditioned but lost the lead role to Kirsten Dunst in Spider-Man (2002).


“I don’t ever want to be doing the same sort of thing, I never want to be typecast, because I have way too much to give to be sort of, to always be the hot chick in the movie.” (Referring to The Girl Next Door (2004)).

“I’m very mellow. I think if I hadn’t become an actress, I would’ve lived the simple life. You know, get married and sit on my porch.”

“I’m a huge fan of video games and comic books. I’m not die-hard or anything, but I definitely appreciate the art in it, which is really cool.”

 *Okay, that was bad.

**I should stop.


THE WOMANUnited States-2011

Sean Bridges as Chris Cleek

Angela Bettis as Belle Cleek

Lauren Ashley Carter as Peggy Cleek

Zach Rand as Brian Cleek

Carlee Baker as Genevieve Raton

Pollyanna McIntosh as The Woman

Directed by Lucky McKee

Written by Lucky McKee and Jack Ketchum

Based on the novel “The Woman” by Lucky McKee and Jack Ketchum

The Woman is a film about the thin line between the civilized and the uncivilized; between the decent and the depraved. There is a statement on the DVD box indicating that it was an official selection of the 2011 Sundance Film Festival. I get a strong feeling that the audience attending its premiere were wondering about the truck that hit them. The Woman will shock you, it will even disgust you; but it will not leave you. It’s been a few hours since I watched the film and I still can’t get it out of my head. I don’t think I ever will.

I’ve been watching movies for as far back as I can I remember and I am of the opinion that there has never been a character that I have hated more than that of Chris Cleek. It’s not because of bad acting. Sean Bridges brings an Oscar worthy performance to the role of Cleek. It’s not because of bad writing, either. The film is co-written by two of the most ingenious and twisted minds working in the horror genre today, author Jack Ketchum (Off Season, Offspring, The Girl Next Door) and director Lucky McKee (May, The Woods, Red). No, my hatred for Chris Cleek is because of the person that he is. To Cleek, women are slaves to fetch his coffee, an occasional place to put his penis and they are always there to slap around when they get out of line.

Cleek is a man so low that he would molest his teenage daughter. This is something that’s never mentioned in the film, but it doesn’t have to be. The knowledge of it festers throughout the course of this movie like a pus-filled wound ready to burst. Cleek’s wife, played beautifully by McKee mainstay Angela Bettis, is but a punching bag to him; he says jump, she doesn’t ask ‘how high’, she just does. His son, Brian, at 14 already displays the sociopathic, misogynistic tendencies of his father. When a girl bests him in a free throw contest, he congratulates her to her face, but then sticks gum in her hairbrush and plays the hero by helping her when she gets it stuck in her hair. Like Chris Cleek, he sees women as objects; but not only for his sexual satisfaction. They are for hurting, for torture. Just ask the one shackled in their storm cellar. That’s what this movie is all about; the woman.

The Woman.

The Woman.


The book ‘The Woman’ will be released to coincide with the film.

Chris Cleek repeatedly uses the word “anophthalmia” in reference to one of his daughters. Unilateral anophthalmia is the congenital absence of one eye, and bilateral anophthalmia is the congenital absence of both eyes.



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