According to the DVD’s director commentary, Chucky was originally supposed to say to Chief Warren (John Ritter), “Sorry, Jack, but three’s a crowd,” after killing him. This joke refers to the fact that Ritter also starred as “Jack” in the hit TV sitcom “Three’s Company” (1976). But at the last minute, the director deleted that out of the script because he found it too corny.




We turn our attention to the lovely Melissa George. Born August 6th, 1976 in Perth, Australia, she made her genre debut in the action fantasy Dark City in 1998 as well as starring in the TV movie Hollyweird the very same year. 2001 found her in David Lynch’s mystery thriller Mulholland Drive and 2003 found her guest starring in two episodes of the popular TV series Charmed. 2005 saw her as Kathy Lutz in the remake of The Amityville Horror and in 2006 she starred in Turistas. In 2007 she starred in The Killing Gene (aka W Delta Z) and the film adaptation of the popular vampire graphic novel 30 Days of Night. Cut to 2009 and we find her in the horror thriller Triangle. 2011 finds her in the TV adaptation of Stephen King’s Bag of Bones and in 2013 she starred in the TV movie Gothica.

Let us welcome the gorgeous Melissa George as our October, 2016 Written in Blood Scream Queen of the Month!




It appears that Jonathan over at RobbinsRealm Blog has nominated me for my second Sunshine Blogger Award in as many days. Wow, after going so long between awards and to then receive two in a row is quite an honor. Thank you, Jonathan.

Now comes the fun part. First I have to answer 11 questions that Jonathan has chosen for me. They are:

Who are a few of your favorite authors?

Stephen King, Michael Slade and Thomas Harris immediately come to mind.

What if any shows are you currently binge watching?

My wife and I are currently running through Malcolm in the Middle and Game of Thrones; we are on season two of both shows.

What film do you hope that Hollywood will never produce a re-make of?

The Godfather as I have already made clear in my last acceptance of the SBA. Let’s throw in The Exorcist for good measure.

What film would you like to see be re-made?

None. Let’s get a sense of originality back into theaters and Hollywood these days. There are too many talented writers and directors out there who can make this happen.

Are you a superstitious person?

You mean do I believe that bad things are going to happen to me because things like the number 13 and a Friday correspond with each other? No.

What is the best book you have recently read?

I’m gonna take a pass on this one.

If you could be a witness to any moment in history, what would it be and why?

The assassination of President John F. Kennedy from the point of view of the actual assassin whether that assassin was Lee Harvey Oswald or Donald Freakin’ Duck!

Who are a few of your favorite actors?

Michael Fassbender, Bryan Cranston, Christopher Walken, Hugh Dancy all come to mind.

Who are a few of your favorite actresses?

I just watched Rose Leslie in Honeymoon and loved her. Jennifer Lawrence comes to mind as does Charlize Theron.

What is your favorite kind of food?

None in particular; I love Chinese, Italian, Mexican and American foods of all types.

Do you collect anything?

I collect books, movies and Funko Pop! figures. I’ve been collecting Criterion Collection films but currently only have 42.

Now I have to nominate 11 fellow bloggers for the Sunshine Blogger Award. I can’t do that. I feel that every blogger out there who puts forth an effort is worthy of this award. So, if you feel that you are one of these deserving bloggers pat yourself on the back and accept this award.

Eleven questions, hmm?

I don’t want to repeat myself with a list of Written in Blood Scream Queen of the Month recipients to be trapped in a haunted house with so I need something new.

What is your favorite thing about Halloween?

What celebrity’s death has saddened you the most in 2016?

What actress would you like to see be a Scream Queen of the Month here at Written in Blood? Remember, they have to have been in at least one horror film.

Are you a dog or a cat person or both? 

Turn your head and look to your left; what do you see?

If you could do anything for a living what would it be?

Doughnuts or pizza?

Donald or Daffy Duck?

Where did you meet your spouse?

What’s your all-time favorite horror movie?

What’s your all-time favorite horror short story?

Thank you once again for this.












I believe this may be the first time that a Power Ranger has been a Scream Queen of the Month. Miss Vincent was Maya the Yellow Galaxy Ranger in several episodes and incarnations of the TV series.

Born February 7, 1979 in Las Vegas, Nevada, Cerina’s contributions to the horror genre began in 2000 with Fear Runs Silent. In 2002 she starred in Eli Roth’s Cabin Fever. 2004 found her in Murder-Set-Pieces and 2005 found her in both Intermedio and It Waits. She was up on Sasquatch Mountain in 2006 and in 2008 she was Toxic (or at least that was the title of the movie). She starred in the comedy-horror series Zombie Family for the “Death of a Salesman” episode and  in the The Walking Dead: WebisodesCold Storage: Parting Shots” in 2012. She appeared in the short film Skypemare in 2013 and finally in the “Bad Seed” segment of Tales of Halloween in 2015.

Let us welcome our September, 2016 Written in Blood Scream Queen of the Month: Cerina Vincent!



Emmy and Lon Chaney Award-winning actor Bill Oberst Jr. is without a doubt one of the hardest working and incredibly talented actors to ever come out of the modern day era of horror. His intensity and dedication to his craft elevate any production that he’s a part of to a higher level. After Bill made a comment on one of my posts I decided to reach out to him for a couple of questions and lo and behold he said yes. Not only did I get (in my humble opinion) an excellent Q & A, but a new friendship was formed and my respect for this man grew even stronger. The only thing that Bill asked for was that I put up a link to his official website at www.billoberst.com. How easy is that?

Let’s start with an obvious one, Bill. Your IMDb.com entry lists a whopping 157 credits since you began with Sherman’s March in 2007; or was it Gilded Cage, which has no year of release? Where did it all begin and more importantly how did it all begin?

The History Channel docudrama Sherman’s March (2007) was my first on-camera role. For 16 years prior I was a working east coast stage actor with no ambition to be on-camera before I stumbled into the boots of General Sherman. On the first day of shooting I fell off my horse. A very kind director, Rick King (of Shark Week fame) helped me look reasonably heroic, and the program was highly-rated and well-reviewed. On the strength of it, I came to Los Angeles in 2008 for a two-week stay to see if I could land an agent. I ended up staying for 8 years and killing many, many people. It has been a bizarre and wondrous experience.

Ha ha. People unaware of your chosen profession might raise eyebrows at that next to last statement, Bill. You came to the audition for Sherman’s March in an authentic Civil War uniform. In addition to that you were spat upon and assailed by passersby when you wore an SS uniform for your audition as Adolf Eichmann for The Glass House, also in 2007. Auditions, Bill! What inspired this dedication to your chosen craft?

Acting is a personality disorder disguised as a profession. One of the less-toxic symptoms of this disorder is a compulsion to play dress up. In my case, it’s history that I get off on, so for any role involving a distinct time-period I am compelled to dive in wardrobe-wise. The fact that this comes across as dedication to craft is a fortunate occurrence.

Like all actors, I am dedicated to the idea of escape from the reality of actual life. Welcome to the curse. It is not curable.

You remind in a lot of ways of Christopher Walken. He’s said in interviews that he’ll take any role that’s offered him and with your immense list of credits it seems you may be the same way. In addition your dedication and preparation brings to mind actors like Robert De Niro, an actor well known for the lengths he would go to to become the characters he’s portrayed; driving fifteen hour days in a taxi and studying mental illness for Taxi Driver; living in Sicily for months for The Godfather Part II.

You’ve been described as gentle and with an interest in things spiritual in your personal life (I stole that from your IMDb page); quite a contrast to the menacing characters you portray in your films. How do you keep the two separate; or do you find that one complements or strengthens the other?

I think about this question often. This morning I go to church to hear about God’s love. Next week I start a film in which I play a man who sacrifices children. What to do?

My defensive inclination is to say, “It’s a job;” to absolve myself of any responsibility. But in my heart, I know I do have a responsibility. I’d love to play the angel, but if it falls to me to play the devil, I’m going to play the Devil with a capital “D” – the lying sonofabitch who said to Jesus, “Behold the kingdoms of the world; they are mine and I can give them to anyone I wish. They’re yours if you worship me.” I strive to play evil with conviction and purpose, because I know evil is an actual, living force in this world.

I want to disturb. I want to play the darkness to show the light.

End of sermon 🙂

I couldn’t hope for a better answer, Bill.

Before you stepped in front of a camera you were a stage actor. Would you care to tell me about working in theater?

Oh yes. Theater is a beautiful blind date. Every single performance is a new encounter with a collective stranger. You get to know the audience and to understand what moves them. When the time is right, you go in for a goodnight smooch, and (on the magic nights) part ways with a little yearning still intact in both parties. It’s a very chaste thrill. The camera, on the other hand, is a voracious lover who demands that you touch it in the way it wants to be touched by you. If you don’t get that touch just right, the camera happily looks at someone else. A wronged theater audience may deny you a goodnight kiss, but a wronged camera will take cash out of your wallet, laugh and toss you outside naked. In both cases, it’s your own damned fault.

Please pardon the sexual metaphors. They keep me honest. This profession is prone to pretensions.

That’s perfectly fine, Bill; you’re giving me your most honest and personal answers and how you see fit to do that is alright with me.

Were you often the villain or heavy when you were onstage; or did that evolve during your time in front of a camera?

An evolution, and a welcome one as an actor. It took several failed attempts at playing the villain to realize that the old quandary “I do not understand myself, for the good I want to do I do not do, but the wrong I hate, that I do” applies to all of us. It is interesting that the word “heavy” is used to describe these characters – it actually is a physically heavy feeling to live inside them. It feels isolated and very alone. I think that a lot of what we call villainy springs from being alone; from seeing our desires as the center of our universe. After playing these people it is hard to get back to being a part of a community again. Loneliness and isolation are very seductive and very dangerous – bad for the soul.

What about influences? There must have been someone, actor or otherwise, that has influenced you and inspired your performances.

My earliest inspiration was Forrest J. Ackerman’s Famous Monsters of Filmland magazine. Forrey introduced my generation to the old masters of horror and, above all, to Lon Chaney Sr. In those days, the only way to see these performances was to order 8mm clips by mail, so I was introduced to them all in silent form projected on a sheet in my bedroom. I was mesmerized by their movements: (Boris) Karloff’s Monster reaching upwards towards the light; the wounded rage in the unmasked face of Chaney’s Phantom; the play of (Bela) Lugosi’s fingers as he pushed aside cobwebs. I studied them and ignored my homework.

Even today, my favorite moments on camera are the ones alone and with no words. That’s why Take This Lollipop will always be close to my heart; it’s my little contribution to that tradition of non-verbal horror.

I just had to click on the link for Take This Lollipop and now I’m afraid to step outside my door for fear that you are waiting menacingly for me, Bill! To be honest I get the feeling that the man you portray in that short interactive film would not let doors stand in his way at all.

On the subject of scaring people my wife and I watched your performance in the ‘Blood Relations’ episode of Criminal Minds. As soon as I saw your name in the credits I told her that we were in for a treat. With the show over I asked for her thoughts and all she could say was “that man scared the hell out of me!”. I told her “you have no idea how many people this man has scared.” Do you find that you get a sort of, and this is for lack of a better word, perverse satisfaction out of scaring people or creeping them the hell out?

Tell your wife that my Criminal Minds killer just needed love and he’d have turned out better!

Seriously, I hope she was able to feel some empathy for him. That is what I strove for in that characterization, as did the whole team behind creating that poor little killer – director Matthew Gray Gubler kept encouraging me to be more childlike in speech and movement, and Dayne Johnson and Christopher Allen Nelson, who created the make-up, were influenced by the humanity-infused monster make-ups of Lon Chaney Sr. I consider the character to be an homage to Chaney. The series’ producer and writer Breen Frazier signed my script “To the most heartbreaking serial killer ever.” That meant a lot.

I had a hard time getting a handle on the Take This Lollipop guy. Without Jason Zada, who wrote and directed it, I would have been over the top. But Jason kept whispering in my ear, “Just go darker into that basement of the mind. Go deeper.” There, too, we tried to lay in some bits that would create an empathy; moments where you see him trying to resist the compulsion. I must agree with you, though: doors wouldn’t stop him.

Sorry for the prelude there.

To your question: Do you find that you get a sort of, and this is for lack of a better word, perverse satisfaction out of scaring people or creeping them the hell out?

Yes. I personally hate roller coasters, but I see the perverse pleasure that people who know this get out of trying to goad me onto them. In the same way, my skill set as an actor includes a bit of knowledge about what makes people’s skin crawl and I justify my enjoyment of it by thinking “Well, it’s good for them to be scared – it makes them feel alive,” which is the exact same rationale my friends use to justify trying to terrify me! Boy, humans are just nefarious by nature, aren’t we?

You ask me that question and today I might agree with you and the next day I may not or be on the fence. I guess I am of the opinion that there are good people in this world capable of doing bad and vice versa. Does that make sense?

The main reason that we came into each other’s radar is because of your role in the excellent short werewolf film, The Beast; how did you become involved with the project?

I feel very fortunate to have been involved with The Beast. I loved werewolves so much as a kid that I used to sneak out of the house late at night and ride my bike out to the railroad tracks where I could safely howl at the moon, just to know what that felt like. They remain my favorite classic creature. I met Peter Dukes, writer and director of The Beast, online and then went to his house to read for him. Peter said “We’re going into the woods for one night with very little money, but with a group of pros who love old-school horror…and werewolves.” We shot it in one crazy night. I was really blown away by the intensity of Peter and Alexander Le Bas, who remain the only father and son acting team I have ever worked with. The Beast is an example of extreme class in a small-scale production.

Werewolves have also always been my favorite monsters so I can perfectly understand wanting to howl at the moon, Bill.

To me, The Beast was a perfect example of a group of people with a passion for a project-and werewolves-that used that passion and their imaginations to make a twelve-plus minute film on a low budget seem more alive than a lot of the feature-length movies that Hollywood is passing off on us.

I’ve posted nearly fifty short films since I began my Short Film Saturday showcase at Written in Blood. I’m leading to a question and I guess what it is is do you feel like short films are a good way for up and coming independent filmmakers to make their mark and get a foot in the door, so to speak?

Yes, and the shorter the short the better! When people see that video load bar go past the 10 or 15 minute mark, you lose them before you’ve grabbed them, The three shorts that I’ve been involved with which have gotten the most attention and have won the most awards – THE BEAST, ASSASSINS and HEIR – were all under 15 minutes. There’s little money in a short, but if you do it right and tight there’s a lot of potential for making a mark.

I get what you mean about losing your audience for a short film. I’ve skipped over quite a few films because they were 20-30 minutes long and I didn’t have the time (or patience) to give them my full attention. 

Let’s wind this Q & A down with a couple of questions, Bill. 
First of all, you mentioned in an apology for your delay in answering a question that you were killing teenagers in the woods of Pasadena for 12 hours a day this week; can you tell me a bit about what you’re currently working on? 
Second and final question, Bill and bear with me it’s one of those that we have all heard before: If you weren’t acting what do you think you would be doing with your life?
The feature film I’m shooting at the moment in the LA area is Death Camp. The great Courtney Gains of Children Of The Corn is in it too. My role is an ex-military hero who also happens to be a hermit Satanist. After this shoot I head to South America, then to Georgia, then to Germany. The business is truly global now – it is amazing how decentralized it has become.
If I wasn’t  an actor I would be a preacher. I’ve known some good ones and some lousy ones in my time – I’m not entirely sure which kind I would be – but ever since I heard about Jesus as a boy I’ve wanted to talk about him. But churches can be his worst enemy, you know? I toured churches for a decade with a solo show of the words of Jesus. After one of these performances, an old man came up to me and said “I don’t give a damn for religion, but Jesus is alright.” I’m with him.
Bill, thank you for your time and I hope we can stay in touch. 
I’d like to stay in touch, too. I’ve really enjoyed this! I think we share some of the same tastes and opinions on movies.















I know next to nothing about July Scream Queen Sophie Monk except to say that she’s blonde and hot. Born December 14, 1979 in London, England in the United Kingdom, she has four genre films to her credit including her debut, the TV movie Monster! in 1999. It would be ten years before she would return to horror with both The Hills Run Red and Life Blood in 2009. She returns to gore once again with the remake of Herschel Gordon Lewis’ 1963 classic Blood Feast coming in 2016.

Without further adieu let us welcome Sophie Monk as the Written in Blood Scream Queen of the Month for July, 2016.


She was born in England but moved to Queensland, Australia when she was little.

Was selected to be part of ‘Bardot’ after competing against over 2000 ambitious girls on national television.


“I don’t understand anyone thinking I’m sexy at all. I don’t get it because, growing up as a kid, I wasn’t. I was like a dork, fat, so for me it’s really weird. I became famous in Australia when I was 18, and I was still a little bit chubby.”

“When I was younger, I was like, ‘I want to be in Playboy.’ My mum was a Playmate.”

“I definitely don’t Google myself, because I get paparazzi’d every day. You’re bound to have something happen and someone mean writes something. There’s no power. You don’t know who they are, and they’re behind the computer. Just don’t read it.”


Synopsis: Two priests from extremely different backgrounds come together to help a family deal with the strange supernatural events surrounding them.  

Don’t worry; the cheese hasn’t slid (any) further off my cracker. This is not the trailer for the 1973 classic; it’s for the new series coming to us from Fox. The Exorcist stars Geena Davis, Alfonso Herrera, Ben Daniels, Hannah Kasulka and Brianne Howey. Check out the trailer ↓ and, by all means, comment away. As for me, I’m straddling the fence with this one.